ABOUT

My work includes:

• Sound design for film, media, and video games
  
  

• Editing, mixing, and audio post-production
  
  

• Original music and soundtrack composition
  
  

• Audio implementation with FMOD Studio / Wwise
  
  

• Sound experimentation and interactive systems with Max/MSP
  
  

• Field recording and environmental sound design
  
  

I work daily with Reaper, Pro Tools, Ableton Live, Unity, iZotope RX, Dolby Atmos, and advanced tools for cinematic and interactive sound design.

Approach
I see sound as a plastic and narrative material — something that shapes space, guides attention, and transforms the player’s or viewer’s experience.
For this reason, I’m directing my path toward Game Audio, combining sound design and technical implementation to create dynamic, responsive, and immersive audio systems.

Extra — My musical and production background

My background is rooted in electronic music and independent production.
I am the co-founder of Lacryma Dischi, an independent label where I continue to curate music production and electronic experimentation. In 2023, I co-founded NZIEM Festival, where I worked as a stage technician, backliner, live sound engineer, and performer.

I studied electroacoustic music at the Conservatory of Naples with M° Elio Martusciello, and later electronic music in Benevento with M° Giosè Grassia, deepening my research into glitch aesthetics, IDM, ambient music, and post-digital electroacoustic techniques.